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discoverability 7 min readOctober 10, 2026by InstrumentaList Team

How to Get Your Music on Spotify Playlists: The Complete Beginner's Guide

A beginner's guide to getting on Spotify playlists: prepare the track, pitch editorial before release day, pitch independent curators with fit and personalization, and get found in curator databases.

To get your music on Spotify playlists, pitch editorial through Spotify for Artists before release day, pitch independent curator playlists whose sound matches your track with a short personalized pitch, and get listed in curator databases like InstrumentaList so curators find and review your music. Do this for every release, because playlist growth is cumulative, not one-shot.

That is the whole method in four sentences. The rest of this guide expands each step for artists who have never done it, so you can run your first full pitch cycle this week.

What a Spotify playlist actually is

Two kinds of playlists matter, and they work differently:

  • Editorial playlists are programmed by Spotify's own curation team. You cannot submit to them directly; you pitch once per release through Spotify for Artists and the editorial team decides.
  • Independent curator playlists are run by individuals - the thousands of study, sleep, piano, lofi and focus lists you see on the platform. Their curators review submissions themselves, which is where most independent artists earn their first placements.

For an instrumental artist, independent lists are usually the first placements and often the most durable ones, because niche audiences stream steadily for years - see Why Study, Sleep and Focus Playlists Are the Most Reliable Streams.

Step 1: Get your track ready to be placed

Before pitching anyone, your release must survive a curator's 15-second listen:

Step 2: Pitch Spotify editorial

In Spotify for Artists, select your upcoming release and use the pitch flow: describe the genre, mood, instruments and story of the track in your own words. One pitch per release, submitted before release day. Editors read these to decide which lists might fit, so a specific description ("felt piano, slow and intimate, recorded to tape") beats a paragraph of adjectives. Our dedicated walkthrough is Getting Featured on Editorial Playlists: Pitching to Editors.

Step 3: Pitch independent curators

This is where most artists fail, so read this part twice. The mistake is volume without fit: the same pasted message to fifty playlists. What works:

  • Build a target list of playlists your track genuinely fits. Listen to each one. If your track would sound at home between the surrounding tracks, it is a target; if not, it is not.
  • Write one short, personal pitch per curator. Name the playlist, say in one sentence why your track fits, link the track, thank them for their time. Our pitch structure guide is How to Write a Pitch That Actually Gets Opened.
  • Respect each curator's stated submission method. Email, form, DM - whichever they publish. Ignoring it is the fastest route to being ignored.
  • Expect low response rates and keep going. Cold pitches convert at low percentages; the fix is more quality attempts and warmer relationships over time, not bigger blasts. Our relationship-building guide explains the compounding part in How to Build Curator Relationships That Last Beyond One Placement.

Step 4: Get discovered instead of only reaching out

Pitching alone is outreach. The other half is being findable:

  • Keep your Spotify artist profile complete - bio, artist pick, photos - because curators check profiles before adding an unknown artist.
  • List yourself in curator databases. InstrumentaList maintains a database of reviewed human curators, and your tracks sit where curators and placement workflows find them.
  • Promote placements you earn. Sharing a curator's playlist on your socials is both good manners and free proof for the next curator.

What to expect in your first month

A realistic first cycle: editorial pitch submitted with no visible result (normal), a handful of curator replies from your independent pitching, one or two placements if the track fits well, and a growing tracking sheet of which curators answered. Streams move on a lag - judge the cycle by attempts and replies, not by stream counts.

FAQ

How do I submit my song to Spotify playlists?

Pitch editorial once per release through Spotify for Artists before release day, and contact independent playlist curators directly using each one's preferred submission method with a short, personalized pitch.

Does Spotify pay for playlist placements?

No legitimate route to playlist placement involves paying a curator. Services that promise guaranteed adds are selling prohibited artificial placement - see How to Spot Fake and Botted Spotify Playlists.

How many playlists should I pitch per release?

Pitch every playlist that genuinely fits, whether that is ten or fifty - but each with its own short, personal message. Fit and personalization matter more than volume.

How long does it take to get playlisted?

Independent curators usually review within days to a few weeks. Editorial decisions happen around release time and are rarely announced. Expect weeks, not days.

Do I need a distributor to pitch?

Yes. Your release must be live on Spotify (via a distributor) and claimed in Spotify for Artists before editorial pitching is possible.


InstrumentaList connects your tracks with real, reviewed human curators so your music gets heard. Start pitching - plans and pricing here.

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